Showing posts with label Les Bassacs painting. Show all posts
Showing posts with label Les Bassacs painting. Show all posts

Tuesday, 4 October 2016

Creative Fun - Day 5

Weather continued to be unsettled towards the end of my first week at Les Bassacs so we painted around the house and 'hamlet', which is a collection of very old buildings, homes, farm buildings, and pathways and narrow roads meandering out to the surrounding cherry orchards, vineyards, lavender fields and olive groves. In other words, lots of potential subject matter.


I took lots of photos and back in the studio worked on several paintings, and finished up with these:
once again examples of looking at the scene, then starting with a basic drawing and then allowing ideas to develop and playing with colour. Good creative fun.

Neighbour's House, Down the Lane, Provence
Farm Building, Provence

Monday, 18 May 2015

Day 1


I arrived at Les Bassacs in the south of France, last Saturday evening after two flights and lots of waiting time between. Over a delightful dinner with wine I met my fellow painters - a group of similarly aged, independent and interesting women.
Sunday started with a morning visit to the wonderful market at Isle sur la Sorgue, and after lunch, a visit to the nearby Chateau de Bourgane to paint.
Our instructor for the week, James Bland, a painter from the UK, suggested we start with large simplified shapes of colour values using a fairly limited range of colours - white and the primaries. I have been thinking recently about how one "starts a painting", trying to be more conscious of my process, and looking for ways to refine or improve it. Following his suggestion, I blocked in the big shapes with colour values, and then began to refine, but not add too much detail. This is what I had after about an hour and twenty minutes, and I quite like it. 

                                    

This was also the first time using my 'new stuff', i.e. the easel with tray and box attachments and tote bag on wheels. The bag was great - I dragged it everywhere, and was happy to have it, though I do have to improve how I pack it, but I know that will come with use. The easel was OK, but not great. My main criticism is with how high I can raise the painting surface. I am 5'6" tall and I found that my painting surface was barely high enough to be comfortable when painting. I did like the 'tray', however, as it held my paper palette and was therefore quite useful.
All in all a good start for the week.