Showing posts with label non-representational painting. Show all posts
Showing posts with label non-representational painting. Show all posts
Monday, 29 July 2019
Sunday, 28 July 2019
Saturday, 27 July 2019
Friday, 26 July 2019
Sweet Spot I
Sweet Spot I
7" x 7" - acrylic on paper - $30
A few days ago I masked off four more or less equal sections of a large piece of paper designed for acrylic paint, thinking I would paint four small works, at once. I didn't have any particular idea or subject in mind, I just wanted to play with composition, colour and marks and thus painted intuitively as much as possible.
Below is what the larger paper looked like when done.
I wanted to stick to 'the less is more' mantra, and believe I stopped at the right moment. I have to say that I love the resulting four small paintings, the first of which is above.
Wednesday, 27 February 2019
Heart Strings
Heart Strings
24" x 18" - acrylic on canvas - $150
Following my recent experience with painting in a 'non-representational' way, I wanted to try to work larger. This is the final result after many weeks of going back and forth and trying not to stress about where it was going or how I felt. I started by just drawing lines and shapes with a black paint marker and then adding colour and then letting it sit, and thinking about what to do with the bits I didn't like. I am glad that I kept going because I love the finished painting, and love looking at it. Though it doesn't look like what I 'normally' paint I think that is just fine. I truly believe in the need to grow, experiment, change and take risks in art making, despite the set-backs that may arise. It's so much more fun that way. Cheers!
Below are some process pics......
Tuesday, 22 January 2019
Sunday, 20 January 2019
Saturday, 12 January 2019
New Year, New Directions
Like many at the start of a new year, I thought about setting some art goals for 2019 and decided to try to (sometimes) work outside of my comfort zone (now that I have it back after 6 months of very limited painting due to arm and shoulder injuries, LOL). For me, that means different subject matter (figures, still life), using more (mixed) media, working smaller, working more abstractly and (of course looser) and once again taking a stab at non-representational painting.
Hot Sauce
8" x 10" - acrylic on canvas - $35
Over the years I have experimented with non-representational painting, defined (in it's simplest form) as art without any recognizable subject matter. These attempts have usually led to frustration and impatience with myself and even greater respect for the work and talent of many non-representational painters, artists like Krista Harris and Dorothy Ganek (take a look at their work and you will understand what I mean!). I have often thought how fabulous it would be to watch them work, layering their canvases with lines, shapes and colours and then losing those elements in their quest to create what I think are quite sublime paintings. How do they do it I wondered as I whited out another canvas. Sigh.
Balancing Act
8" x 10" - acrylic on canvas - $35
One of the things you learn, the more you paint, is that you have to keep painting. Working is the one rule that must be followed. (See the irreverent art critic for New York Magazine Jerry Saltz, and his list of 33 Rules for Being an Artist). Stopping too early and giving up because 'it's' not working is a learned (failing) behaviour in art (and in life). I don't give up on representational painting, so why do that with non-representational art, something that looks easy (hah!).
Inch by Inch
8" x 10" - acrylic on canvas - $35
So, I turned off the inner-critic and tried to work 'intuitively' (wondering at the same time what that means exactly) on 3 small 8x10 canvases, sporadically over a couple of weeks. Having no subject felt like floundering in very deep water, until you realize that you really do know how to swim. Once I stopped worrying about what I was doing I began to enjoy the process, taking a break when I felt stuck. Over many days I kept layering, obliterating, adding, and I realized that I liked what I saw developing on the surface! There were definitely 'ah hah' moments as I added and eliminated, played with texture and paint application. And then they were done. Wow.
I am really happy with these little paintings and despite their size I find each quite compelling. I hope you do too.
Have a wonderful weekend!
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